Johnny Depp’s latest, The Rum Diary, stumbled out of the gate with just $5 million. Pirates of the Caribbean this was not. The disappointing opening fell in line with Depp’s other substance abuse picture, 1998?s Fear and Loathing in Las Vegas, which debuted to $3.3 million and earned $10.7 million total. The Rum Diary‘s edgy story was always going to be a tough sell, and FilmDistrict’s President of Theatrical Distribution Bob Berney admits: “While we all wish the numbers were better, we’re proud of the film and its loving tribute to Hunter S. Thompson.”

Source: Entertainment Weekly

by Luke Goodsell
Source: Rotten Tomatoes

You could set your watch to Aaron Eckhart’s handsomely chiseled features — but do so at your own peril. As he’s proved time and again on screen, Eckhart excels at portraying deceptively charming men: be they manipulative executives (his breakout In the Company of Men), big-tobacco spin doctors (Thank You For Smoking), or literally, physically duplicitous district attorneys (The Dark Knight). Which isn’t to say he won’t play nice, reasonably normal guys, of course, as his excellent (and strangely Oscar-overlooked) performance in last year’s Rabbit Hole attests. This week, however, Eckhart’s up to his smooth-talking tricks in The Rum Diary, playing against Johnny Depp as the impeccably-dressed but otherwise rather rapacious Sanderson — an American businessman out to turn postcard-perfect Puerto Rico into a lucrative tourist resort. We spoke with Eckhart recently, where he talked about the film, his thoughts on writer Hunter S. Thompson, and the art of playing the likeable bad guy. But first, he ran through his five favorite films.

Apocalypse Now (Francis Ford Coppola, 1979)
My five favorite films? I have no memory, that’s my problem. [Laughs] Well one of them would be Apocalypse Now. I mean, you could tell that the movie was made in madness, as madness, and that, to me… someday I want to make a movie like that. Total consumption.

Five Easy Pieces (Bob Rafelson, 1970)
One of them would be… did I say Apocalypse Now? [Laughs] What other films are there? Have there been any other films? I would say Five Easy Pieces. Nicholson was a god. Is a god. Great movie. Fucking great movie.

The Getaway (Sam Peckinpah, 1972)
Then I’ll say — this is so easy, but I’ll say The Getaway, with McQueen. Just, you know, just raw power and action.

Bringing Up Baby (Howard Hawks, 1938)
Bringing Up Baby, with Cary Grant and Katharine Hepburn — just because I grew up on those movies.

Midnight Express (Alan Parker, 1978)
And then I’m gonna say… What’s a modern movie that I’ve seen? How about… you know a great movie that I saw was… [extremely long pause] Oh, I got a movie — the one where he goes to the Turkish Prison. Midnight Express. There you go. That movie terrified me. [Laughs] Go to Turkey, but do your hash before.

Plus, The Rum Diary co-star on making the film, playing chaming bad guys, and staying in character — and sober — on set.

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by Christina Radish
Source: Collider

In The Rum Diary, adapted from the Hunter S. Thompson novel, actor Aaron Eckhart plays Sanderson, a businessman involved in shady property development deals, determined to convert Puerto Rico into a capitalist paradise in service of wealthy Americans. When he meets journalist Paul Kemp (Johnny Depp), he recruits him to write favorably about his latest unsavory scheme, but quickly learns that Kemp is not someone easily controlled.

At the film’s press day, Aaron Eckhart spoke to Collider for this exclusive interview about what a great time he had making the film, how timeless the themes of the story are, how flattering it is to know he was the only choice for this role, and that he enjoyed watching Johnny Depp work. He also talked about his next role, playing the iconic monster in I, Frankenstein, a modern take on the classic story, and how he has no plan, when it comes to deciding which projects he’ll sign on for. Check out what he had to say after the jump:

Question: It was really nice to finally get to see this film, since we’ve talked about it a few times before.

AARON ECKHART: Yeah, I made this movie, and then Rabbit Hole, and then Battle: Los Angeles.

How did you get involved with this? Were you approached about doing the role?

ECKHART: Yes, (director) Bruce [Robinson] called up. He had needed somebody who had done that sort of character before, and he thought that I could do it, so I met him. I didn’t know Johnny [Depp] and I didn’t know anything about the story. I hadn’t read The Rum Diary, but I’ve read some of Hunter’s stuff and had heard about it. So, I came into it pretty virginess, but had a great time making it.

Did you feel really transported to that time, while shooting this?

ECKHART: Yeah, once you put on those clothes and have the cars. But, it seems like a lot of this is timeless stuff, thematically. It’s relevant today. Certainly, my character is. But, once you’re in that environment, you do lose yourself, especially in Puerto Rico ‘cause you’re either looking out to the sea or you’re looking towards the mountains. You can lose yourself in that sort of timeless place, which is good. Normally, you go to places to make a film about another place. You go to Toronto because you can’t afford New York. This movie was good because it takes place in Puerto Rico. That’s where Hunter went. So, I thought it was good for the film.

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All it took to get Aaron Eckhart to sign on to “The Rum Diary” was the promise of going toe-to-toe with Johnny Depp – and, yeah, that tropical setting.

“I think the allure of something like this is working with Johnny and working with Hunter’s material,” Eckhart tells PopcornBiz of his decision to join the cast of producer/star Depp’s film adaptation of novelist Hunter S. Thompson’s book. “It was a great opportunity, especially when you’re sitting at home: ‘Let’s go to Puerto Rico and make a movie. It’ll be six weeks. Don’t worry about it.’ That’s easy to get through my mind.”

The actor opens up to PopcornBiz about his coursework in Thompson, Depp and Hollywood acting, as well as his horrific next film.

On Hunter Thompson 101:
“Years ago, it must have been when I was in college or something, the first article I ever read with Hunter was when he assigned to go to Hawaii to cover a marathon, of all things. And he accepted the job. And he never got outside of his hotel room. He just opened the minibar and just had a complete debaucherous time in the hotel room. Meanwhile, the marathon took place right outside his window. And then he just wrote what he saw and sent in the article and he was published.”

On Johnny Depp 101:
“I learned how simple he is – how little he does for the effect that he gets on the screen, mostly. How he prepares and interprets a character. How he comes to set. How he makes his way through the day. What temperament he keeps. Always looking at people. It’s not just Johnny. It’s the same thing with Nicole [Kidman], or when I was working with Jack Nicholson or Morgan Freeman, Ian McKellen – whoever it is, always watching. I said to Morgan Freeman one time ‘Morgan, how do you do it?’ And he looked at me and he said, ‘Forty years.’ And so when I hear that I go, ‘Oh, I haven’t been doing it 40 years.’ When you watch guys like this it kind of takes you off the hook, because you say, ‘Oh, he didn’t torture himself before the torture scene – He just went into the torture scene.’ Johnny does this. I saw things that Johnny does to an effect that I sit there and analyze it afterwards and go, ‘I see – Maybe I can do the same thing in a way. Make it my own.’”

On going from playing one classic character in “Pan” to another in “I, Frankenstein”:
“‘Pan’ got postponed, in which I was playing Captain James Hook. Peter Pan was abducting children and Captain Hook was on his tail, so it flipped Peter Pan on its end. And now I’m playing Frankenstein in a modern adaptation. It’s sort of what happens after Victor Frankenstein builds his monster, about Frankenstein’s life and the monster afterwards. And then there’s a couple things I have after that actually that are super-interesting. Large character-scale. Like, serious stuff, which I’m looking forward to. Things that have the big action pieces and this sort of stuff, but you also never get away from doing the character stuff. Getting back to the acting. Always staying close to what’s hot in the acting. That’s the most important thing for me.”

On whether he has a special affinity for revisiting classic icons:
“No, I think Hollywood’s interested in that. I think everybody’s so scared to make a movie these days that they’re going into the grab bag. For example I just talked to a Japanese journalist yesterday and said something about Frankenstein and, obviously, the Japanese have a huge history with Frankenstein. So it’s an automatic sell. I think it’s less about us as actors and more about studios and independent producers saying, ‘How can I make this movie?’ It’s so difficult to make a movie these days that they have to go with the sure thing.”

“The Rum Diary” opens in theaters everywhere today

Source: PopcornBiz

by Amy Nicholson
Source: Box Office Magazine

Say this about Aaron Eckhart: the blonde, almost cartoonishly handsome leading man entered Hollywood with a splash. His first film, In the Company of Men, was a project with his college buddy Neil LaBute that put both BYU grads on the map. The dark satire about two men who compete to seduce and destroy a deaf woman played Sundance and Cannes and stirred up a scandal. Since then, Eckhart has become the face of the bold American man, playing a tobacco lobbyist in Thank You For Smoking, an ambitious district attorney in The Dark Knight, and here in The Rum Diary, a wealthy investor who wants to turn Puerto Rico into a paradise for the rich—and wants to keep Johnny Depp’s hands off his fiancée Amber Heard. Eckhart talks candidly to BOXOFFICE about how impossible it is to describe his job, and why his working days might be drawing to a close.

Bruce said he wanted you because he needed someone who could hold their own against Johnny Depp.

Well, that is sweet. Bruce is a good man.

He also said he wanted you because you were blonde.

Well, I guess I was then. I did hang out at the beach a lot. I think he was going for that opposite-coloring thing against Johnny, so that worked out. But I think you could put a cardboard cutout in front of Johnny and everything would be okay.

You’re often cast as the All-American capitalist, which seems like a lot of pressure on you to seem totally confident.

I don’t mind that, the businessman and all that stuff. I think that you have to commit to it, though. If you’re going to play a role like this, you have to commit to being an unscrupulous archetypal greedy businessman bad guy. Which I’m not personally in love with in my own life and elsewhere. I wouldn’t want to make a career out of it, but I have played them quite a bit in In the Company of Men and Thank You For Smoking. People seem to like that kind of guy that doesn’t have any sort of morals or ethics—who runs over people and has fun doing it.

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Aaron talks with SheKnows about working in Puerto Rico for The Rum Diary, his love scene with Amber Heard and his photography. Video is on autoplay, click on more to watch.

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Aaron talks with Movie Fanatic about his costumes for The Rum Diary, Johnny Depp, working with Amber Heard and his favourite movie out of his career.

Source: Movie Fanatic

By Sharon Kholle
Source: Moviefone

Director Bruce Robinson said that if Aaron Eckhart hadn’t agreed to play ambitious real-estate developer Sanderson in ‘The Rum Diary,’ “we’d still be casting.” In the movie, lots of rum is swilled and cigars are smoked. Turns out Eckhart only indulges in one of those vices in real life: “I got addicted to cigars while making this movie,” he admitted to Moviefone. Interestingly, he was one of the few who wasn’t lighting up at the movie’s press conference, where Johnny Depp smoked five hand-rolled cigarettes in quick succession, moderator Elvis Mitchell sucked on a huge stogie and Robinson smoked and drank a beer. By comparison, Eckhart says things were pretty tame on the Puerto Rican set.

Your character has a very nice spread on the beach in this movie.
We filmed it in the beach in Puerto Rico, which is great because that’s where it actually takes place. Often these days, you go somewhere like Eastern Europe and that’ll double for New York or Los Angeles or whatever. It’s nice to go to a place because the story takes place there.

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Aaron gives his views on Occupy Wall Street, taken from The Rum Diary press junket.

Aaron appeared in a PSA for Feeding America. Check out the video below and visit FeedingAmerica.org to donate.