by Jo Piazza
Source: Huffington Post

Aaron Eckhart stars in “The Rum Diary” with Johnny Depp, but he actually prefers Fyodor Dostoyevsky to Hunter S. Thompson. He grew up in the Church of Latter Day Saints, but has absolutely no opinion on Mitt Romney’s candidacy. He’s studying to play Beach Boy Dennis Wilson, but claims he can’t sing.

The Huffington Post recently discovered these contradictions and more while chatting with Eckhart at the Savannah Film Festival:

You just did “The Rum Diary” with Johnny Depp, who plays writer Hunter S. Thompson. What was he like to work with?

We filmed in Puerto Rico, which wasn’t bad, and it was a fun movie because Johnny was so involved. It is his passion project, so everyone on the crew has done six movies with him and it was like filming with his family. I got along really well with him. We had a good time, which I was happy about, and you know, Johnny is crazy about Hunter. He is passionate about him and knows him really well and feels a responsibility to carry on his legacy in a certain way, so if it weren’t for Johnny, these movies wouldn’t get made.

Are you a Hunter S. Thompson fan?

I am more of a Dostoyevsky fan. I am sure Hunter read Dostoyevsky. I do like Hunter. I have read some of his books, but I am not an aficionado. I love the idea that he lived his life in his way, and I think that’s to be admired because I think it takes a lot of energy and courage to live against the grain like Hunter did. I think Johnny leads his own life that way.

How did you get into acting?

I was 14, in high school in England, and I was on my way to rugby practice when I saw a sign for auditions for a “Charlie Brown” play. Since my school was so small, no one else auditioned and I got the role of Charlie and I had seven solos.

So you can sing and dance?

No, I was dreadful because those songs are high. Somebody had to kick me in the balls to get up there sometimes. Then I went to a school for the arts in Sydney and I got a theater degree at Brigham Young University and then moved to New York

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By Linda Sickler

[....]

Actor Aaron Eckhart accepted an Outstanding Achievement in Cinema Award. “Many have called him an actor’s actor,” said Danny Filson, the festival’s executive director, in presenting the award.

Eckhart said he once worked with Morgan Freeman. “Every word out of his mouth was perfect,” he said. “Take after take, it was flawless.”

When Eckhart asked Freeman how he did it, Freeman simply replied, “Thirty years.”

“I’m halfway there,” Eckhart said. “After 30-plus movies, I continue to ask, ‘How do you do it? How do you reach perfection?’”

Earlier in the day, Eckhart said he will be filming “The Drummer” on Tybee Island next summer. In it he will play Dennis Wilson of the Beach Boys.

Like Wilson, Eckhart himself was a surfer, until his family moved to England for his father’s work. While living overseas gave him life experience to draw on in his acting career, it came at an inopportune time.

“I was just going into the eighth grade when we moved to England,” Eckhart said. “I was just getting interested in girls and sports.”

But while there, Eckhart discovered acting when he auditioned for a school play and got the lead role of Charlie Brown.

Eckhart plans to teach a master class at the Savannah College of Art and Design when he returns next summer. He recently spoke to students at Harvard about the film industry.

“It’s helpful for students to hear it coming from a professional,” Eckhart said. “I majored in theater and got the degree. I feel I give them the perfect advice.”

With credits for films as varied as “Erin Brockovich,” “The Company of Men,” “Thank You for Smoking,” “Rabbit Hole,” “The Missing,” “Battle: Los Angeles” and “The Dark Knight,” Eckhart truly is a good source for inside information.

He encourages students to pursue their dreams. Eckhart himself hopes to someday write screenplays and direct.

“I have a love-hate relationship with acting,” Eckhart said. “I’d like to abandon acting altogether and be much more involved in the subject matter.”

Source: Savannah Now

In case you don’t know yet, Aaron will be attending the Savannah Film Festival where he will be honoured on November 5 at the Trustees Theater at 7pm. If you are in the area, get your tickets now at the Savannah Box Office.

By Bill DeYoung
Source: Connect Savannah

With a filmography that includes box office hits (The Dark Knight, Erin Brokovich, The Black Dahlia) and critically acclaimed indies (Thank You For Smoking, Towelhead, In the Company of Men), Aaron Eckhart can pick and choose his projects.

He admits he doesn’t always get it right – the big-budget romantic comedies No Reservations and Love Happens, opposite Catherine Zeta Jones and Jennifer Aniston, respectively, were serious flops. Even Rabbit Hole, based on an acclaimed dramatic play and pairing Eckhart with Nicole Kidman, did disappointing business.

But that’s OK with Eckhart, who usually got the best reviews in those films, anyway. He understands the mechanics of the movie business.

He’ll be here Nov. 5, feted at the Savannah Film Festival’s closing night event.

Although mainstream audiences probably got their first glimpse of his rugged good looks in Christopher Nolan’s Batman film The Dark Knight (he played Gotham district attorney Harvey Dent), Eckhart has been in the celluloid game since the early ‘90s.

Next up, he’s co-producing The Drummer, in which he’ll play the Beach Boys’ Dennis Wilson. Eckhart is taking drum, piano and singing lessons to ease into the role.

Because hey, that’s what a good actor does.

Considering all the work you’ve done with playwright Neil LaBute, and the fact that you’re in The Rum Diary, from Hunter S. Thompson – how important is really good writing to you?

Aaron Eckhart: Well, good words are better than bad words. You put two words together, three and four and five words, and somehow they make magical sense. It means more for the five senses – not only do you hear them, but you feel them and you taste them and you smell them and all that sort of stuff. In other words, words just aren’t random when great people put them together, like Neil, or David Mamet, or, you know, Shakespeare – they have an electricity inside them, and when you put two words together to create an image, it’s powerful. So you can tell, as an actor, good writing. And it really just clips, and it means something. And there’s electricity on your tongue, in your body, when you say it. I intentionally simplify this, in terms of good words and bad words, but bad words are just tough to say. You lose energy when you say them, and that translates onto the film.

But you’re not always going to get a great script, right, especially with the big studio films? What do you do then?

Aaron Eckhart: It’s tough. There’s the whole “We’ll fix it on the day” or “We’ll come up with something on the day,” which is never as strong. It’s hard to compensate for bad writing. Or bad plot. Or ill-conceived … you have to live with the consequences. The problem is that good words aren’t always rewarded in terms of box office. And I’m not saying they should be, but I think there’s less of a demand for that sort of thing today. Certainly in the studios. So, follow the money. You gotta go where the money is. And if you want a chance to play the game again, you’ve got to make some money for somebody.

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Johnny Depp’s latest, The Rum Diary, stumbled out of the gate with just $5 million. Pirates of the Caribbean this was not. The disappointing opening fell in line with Depp’s other substance abuse picture, 1998?s Fear and Loathing in Las Vegas, which debuted to $3.3 million and earned $10.7 million total. The Rum Diary‘s edgy story was always going to be a tough sell, and FilmDistrict’s President of Theatrical Distribution Bob Berney admits: “While we all wish the numbers were better, we’re proud of the film and its loving tribute to Hunter S. Thompson.”

Source: Entertainment Weekly

by Luke Goodsell
Source: Rotten Tomatoes

You could set your watch to Aaron Eckhart’s handsomely chiseled features — but do so at your own peril. As he’s proved time and again on screen, Eckhart excels at portraying deceptively charming men: be they manipulative executives (his breakout In the Company of Men), big-tobacco spin doctors (Thank You For Smoking), or literally, physically duplicitous district attorneys (The Dark Knight). Which isn’t to say he won’t play nice, reasonably normal guys, of course, as his excellent (and strangely Oscar-overlooked) performance in last year’s Rabbit Hole attests. This week, however, Eckhart’s up to his smooth-talking tricks in The Rum Diary, playing against Johnny Depp as the impeccably-dressed but otherwise rather rapacious Sanderson — an American businessman out to turn postcard-perfect Puerto Rico into a lucrative tourist resort. We spoke with Eckhart recently, where he talked about the film, his thoughts on writer Hunter S. Thompson, and the art of playing the likeable bad guy. But first, he ran through his five favorite films.

Apocalypse Now (Francis Ford Coppola, 1979)
My five favorite films? I have no memory, that’s my problem. [Laughs] Well one of them would be Apocalypse Now. I mean, you could tell that the movie was made in madness, as madness, and that, to me… someday I want to make a movie like that. Total consumption.

Five Easy Pieces (Bob Rafelson, 1970)
One of them would be… did I say Apocalypse Now? [Laughs] What other films are there? Have there been any other films? I would say Five Easy Pieces. Nicholson was a god. Is a god. Great movie. Fucking great movie.

The Getaway (Sam Peckinpah, 1972)
Then I’ll say — this is so easy, but I’ll say The Getaway, with McQueen. Just, you know, just raw power and action.

Bringing Up Baby (Howard Hawks, 1938)
Bringing Up Baby, with Cary Grant and Katharine Hepburn — just because I grew up on those movies.

Midnight Express (Alan Parker, 1978)
And then I’m gonna say… What’s a modern movie that I’ve seen? How about… you know a great movie that I saw was… [extremely long pause] Oh, I got a movie — the one where he goes to the Turkish Prison. Midnight Express. There you go. That movie terrified me. [Laughs] Go to Turkey, but do your hash before.

Plus, The Rum Diary co-star on making the film, playing chaming bad guys, and staying in character — and sober — on set.

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by Christina Radish
Source: Collider

In The Rum Diary, adapted from the Hunter S. Thompson novel, actor Aaron Eckhart plays Sanderson, a businessman involved in shady property development deals, determined to convert Puerto Rico into a capitalist paradise in service of wealthy Americans. When he meets journalist Paul Kemp (Johnny Depp), he recruits him to write favorably about his latest unsavory scheme, but quickly learns that Kemp is not someone easily controlled.

At the film’s press day, Aaron Eckhart spoke to Collider for this exclusive interview about what a great time he had making the film, how timeless the themes of the story are, how flattering it is to know he was the only choice for this role, and that he enjoyed watching Johnny Depp work. He also talked about his next role, playing the iconic monster in I, Frankenstein, a modern take on the classic story, and how he has no plan, when it comes to deciding which projects he’ll sign on for. Check out what he had to say after the jump:

Question: It was really nice to finally get to see this film, since we’ve talked about it a few times before.

AARON ECKHART: Yeah, I made this movie, and then Rabbit Hole, and then Battle: Los Angeles.

How did you get involved with this? Were you approached about doing the role?

ECKHART: Yes, (director) Bruce [Robinson] called up. He had needed somebody who had done that sort of character before, and he thought that I could do it, so I met him. I didn’t know Johnny [Depp] and I didn’t know anything about the story. I hadn’t read The Rum Diary, but I’ve read some of Hunter’s stuff and had heard about it. So, I came into it pretty virginess, but had a great time making it.

Did you feel really transported to that time, while shooting this?

ECKHART: Yeah, once you put on those clothes and have the cars. But, it seems like a lot of this is timeless stuff, thematically. It’s relevant today. Certainly, my character is. But, once you’re in that environment, you do lose yourself, especially in Puerto Rico ‘cause you’re either looking out to the sea or you’re looking towards the mountains. You can lose yourself in that sort of timeless place, which is good. Normally, you go to places to make a film about another place. You go to Toronto because you can’t afford New York. This movie was good because it takes place in Puerto Rico. That’s where Hunter went. So, I thought it was good for the film.

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All it took to get Aaron Eckhart to sign on to “The Rum Diary” was the promise of going toe-to-toe with Johnny Depp – and, yeah, that tropical setting.

“I think the allure of something like this is working with Johnny and working with Hunter’s material,” Eckhart tells PopcornBiz of his decision to join the cast of producer/star Depp’s film adaptation of novelist Hunter S. Thompson’s book. “It was a great opportunity, especially when you’re sitting at home: ‘Let’s go to Puerto Rico and make a movie. It’ll be six weeks. Don’t worry about it.’ That’s easy to get through my mind.”

The actor opens up to PopcornBiz about his coursework in Thompson, Depp and Hollywood acting, as well as his horrific next film.

On Hunter Thompson 101:
“Years ago, it must have been when I was in college or something, the first article I ever read with Hunter was when he assigned to go to Hawaii to cover a marathon, of all things. And he accepted the job. And he never got outside of his hotel room. He just opened the minibar and just had a complete debaucherous time in the hotel room. Meanwhile, the marathon took place right outside his window. And then he just wrote what he saw and sent in the article and he was published.”

On Johnny Depp 101:
“I learned how simple he is – how little he does for the effect that he gets on the screen, mostly. How he prepares and interprets a character. How he comes to set. How he makes his way through the day. What temperament he keeps. Always looking at people. It’s not just Johnny. It’s the same thing with Nicole [Kidman], or when I was working with Jack Nicholson or Morgan Freeman, Ian McKellen – whoever it is, always watching. I said to Morgan Freeman one time ‘Morgan, how do you do it?’ And he looked at me and he said, ‘Forty years.’ And so when I hear that I go, ‘Oh, I haven’t been doing it 40 years.’ When you watch guys like this it kind of takes you off the hook, because you say, ‘Oh, he didn’t torture himself before the torture scene – He just went into the torture scene.’ Johnny does this. I saw things that Johnny does to an effect that I sit there and analyze it afterwards and go, ‘I see – Maybe I can do the same thing in a way. Make it my own.’”

On going from playing one classic character in “Pan” to another in “I, Frankenstein”:
“‘Pan’ got postponed, in which I was playing Captain James Hook. Peter Pan was abducting children and Captain Hook was on his tail, so it flipped Peter Pan on its end. And now I’m playing Frankenstein in a modern adaptation. It’s sort of what happens after Victor Frankenstein builds his monster, about Frankenstein’s life and the monster afterwards. And then there’s a couple things I have after that actually that are super-interesting. Large character-scale. Like, serious stuff, which I’m looking forward to. Things that have the big action pieces and this sort of stuff, but you also never get away from doing the character stuff. Getting back to the acting. Always staying close to what’s hot in the acting. That’s the most important thing for me.”

On whether he has a special affinity for revisiting classic icons:
“No, I think Hollywood’s interested in that. I think everybody’s so scared to make a movie these days that they’re going into the grab bag. For example I just talked to a Japanese journalist yesterday and said something about Frankenstein and, obviously, the Japanese have a huge history with Frankenstein. So it’s an automatic sell. I think it’s less about us as actors and more about studios and independent producers saying, ‘How can I make this movie?’ It’s so difficult to make a movie these days that they have to go with the sure thing.”

“The Rum Diary” opens in theaters everywhere today

Source: PopcornBiz

by Amy Nicholson
Source: Box Office Magazine

Say this about Aaron Eckhart: the blonde, almost cartoonishly handsome leading man entered Hollywood with a splash. His first film, In the Company of Men, was a project with his college buddy Neil LaBute that put both BYU grads on the map. The dark satire about two men who compete to seduce and destroy a deaf woman played Sundance and Cannes and stirred up a scandal. Since then, Eckhart has become the face of the bold American man, playing a tobacco lobbyist in Thank You For Smoking, an ambitious district attorney in The Dark Knight, and here in The Rum Diary, a wealthy investor who wants to turn Puerto Rico into a paradise for the rich—and wants to keep Johnny Depp’s hands off his fiancée Amber Heard. Eckhart talks candidly to BOXOFFICE about how impossible it is to describe his job, and why his working days might be drawing to a close.

Bruce said he wanted you because he needed someone who could hold their own against Johnny Depp.

Well, that is sweet. Bruce is a good man.

He also said he wanted you because you were blonde.

Well, I guess I was then. I did hang out at the beach a lot. I think he was going for that opposite-coloring thing against Johnny, so that worked out. But I think you could put a cardboard cutout in front of Johnny and everything would be okay.

You’re often cast as the All-American capitalist, which seems like a lot of pressure on you to seem totally confident.

I don’t mind that, the businessman and all that stuff. I think that you have to commit to it, though. If you’re going to play a role like this, you have to commit to being an unscrupulous archetypal greedy businessman bad guy. Which I’m not personally in love with in my own life and elsewhere. I wouldn’t want to make a career out of it, but I have played them quite a bit in In the Company of Men and Thank You For Smoking. People seem to like that kind of guy that doesn’t have any sort of morals or ethics—who runs over people and has fun doing it.

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Aaron talks with SheKnows about working in Puerto Rico for The Rum Diary, his love scene with Amber Heard and his photography. Video is on autoplay, click on more to watch.

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